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Steven's Halo series of mixed media reliefs showcase an inventive technique harnessing the natural reflection of light, resulting in a captivating glow or "halo" of color. This innovative approach simulates the aesthetic of neon lighting, frequently perplexing viewers into presuming an artificial light source is at play. The intensity of each piece's halo is contingent on factors such as lighting wattage, angle, and even the varying conditions of sunlight throughout the day. Steven's exploration of light's transformative capabilities within these reliefs not only mesmerizes with its visual impact but also prompts contemplation on the dynamic interplay between art and the environment. The series invites viewers to engage with the ever-changing luminosity, challenging preconceived notions and fostering an appreciation for the interdependence of art and ambient light conditions.
Halo • Available
Fontana draws from the spirit of 1940s and 1950s modern art and design, an era where simplicity and abstraction became vehicles for communicating new ideas about form, space and movement.
The work embodies the optimism of a time when design sought to break free from the past, embracing clarity and precision. Its minimalism reflects a belief in the power of restraint—where less becomes more, and space itself becomes a dynamic force.
Fontana is an exploration on progress, offering a quiet yet dynamic exploration of structure and rhythm.
Halo #60: Clams Casino
Acrylic on watercolor paper, framed, 12”.5 X 12.5”
M.A. Doran Gallery • Tulsa, OK
Clams Casino takes its name from a midcentury dish that, like the era’s design, blended indulgence with restraint. Inspired by the visual language of 1940s and 1950s modernism, the piece channels a time when abstraction was both a rebellion and a refinement.
Its composition nods to the clarity and optimism of postwar design—where order, rhythm and reduction were seen as paths to progress. The title adds a layer of irony and elegance, anchoring the work in a moment when style, taste and structure converged in both art and everyday life.
Clams Casino is a quiet echo of modernism’s appetite for simplicity with depth.
Halo #56: Ossovix Scanners
Acrylic on watercolor paper, poplar and birch, 21" X 11"
JRB Gallery • Oklahoma City, OK
Ossovix Scanners investigates a future where technology merges with human emotion. Created in a distant future, Ossovix Scanners are designed to assess and alleviate physical and emotional trauma. The various geometric modules emit a gentle glow while projecting complex frequency relief patterns based on the user’s energy field. These patterns promote healing, offering a bridge between mind, body and technology. Ossovix Scanners represents human connection and the evolving role of innovation in emotional and physical restoration.
Halo #40: Electric Herd
Acrylic on watercolor paper and birch panel, 24" X 24"
Available at Oklahoma Visual Arts Coalition's Members Show
June 7–August 2, 2025
Opening Celebration & Artist Panel: June 26, 2025 • 5–8 pm
Oklahoma Hall of Fame & Gaylord-Pickens Museum
1400 Classen Drive • Oklahoma City, OK 73106
Electric Herd elicits the phenomenon of being influenced by or dependent on modern technology, drawing on the concept of a “herd,” where individuals follow collective trends or behaviors, shaped by technology and are “herded” by these forces, acting more in response to external influences than through independent thought or action.
Halo #32: Enceladus
Acrylic on watercolor paper and birch panel, 24" X 24"
JRB Gallery • Oklahoma City, OK
The inspiration for Enceladus was sparked by Saturn's intriguing moon, Enceladus, discovered in 1789 by British astronomer William Herschel. With a subsurface ocean of liquid water, scientists theorize that it could support life. Enceladus imagines what extraterrestrial civilizations might create in terms of art, communication, or even architecture, exploring the possibilities of life and creativity within our own solar system.
Halo #28: Europa
Acrylic on watercolor paper and birch panel, 24" X 24"
M.A. Doran Gallery • Tulsa, OK
The creation of Europa was motivated by Jupiter's fascinating moon, Europa, discovered in 1610 by Italian astronomer Galileo Galilei, and is believed to harbor a vast saltwater ocean beneath its icy surface. This ocean could contain twice the amount of water found on Earth and might even support life. Europa envisions what extraterrestrial civilizations might create in terms of art, communication, or even architecture, exploring the possibilities of life and creativity within our own solar system.
